{"id":1199,"date":"2021-04-14T06:00:55","date_gmt":"2021-04-14T06:00:55","guid":{"rendered":"https:\/\/uberlin.co.uk\/ghostandthesong-archives-uberlinuberlin\/"},"modified":"2021-04-14T06:00:55","modified_gmt":"2021-04-14T06:00:55","slug":"ghostandthesong-archives-uberlinuberlin","status":"publish","type":"post","link":"https:\/\/uberlin.co.uk\/ghostandthesong-archives-uberlinuberlin\/","title":{"rendered":"ghostandthesong Archives : uberlinuberlin"},"content":{"rendered":"
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October 14, 2013<\/abbr><\/h5>\n
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Music Montag: ghostandthesong<\/a><\/h3>\n

by James Glazebrook<\/span><\/h4>\n
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\"ghostandthesong<\/p>\n

ghostandthesong by Nils Delfmann from http:\/\/fischerfrisch.tumblr.com<\/p>\n<\/div>\n

Sometimes real music journalism puts us to shame. “Berlin art rock experimentalists ghostandthesong<\/strong><\/a> soundtrack many things. Long walks along the sea at night; Finding a hidden message written inside a wall addressed to your unborn child; Having Lovecraft stories read to you by a young child” – Blitzgigs. Between that and the Berlin project’s description of itself as “imploding pop”, we have little to add; instead, we’ll share ghostandthesong’s “Sledgehammer”-meets-Terry Gilliam-meets-all-kinds-of-awesome video for “ou inme” (directed by hypertrashwonderland<\/a>):<\/p>\n