{"id":1314,"date":"2021-04-14T06:03:35","date_gmt":"2021-04-14T06:03:35","guid":{"rendered":"https:\/\/uberlin.co.uk\/music-montag-archives-uberlin\/"},"modified":"2021-04-14T06:03:35","modified_gmt":"2021-04-14T06:03:35","slug":"music-montag-archives-uberlin","status":"publish","type":"post","link":"https:\/\/uberlin.co.uk\/music-montag-archives-uberlin\/","title":{"rendered":"Music Montag Archives – \u00fcberlin"},"content":{"rendered":"
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May 11, 2015<\/abbr><\/h5>\n
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Music Montag: HEADS. release their self-titled debut<\/a><\/h3>\n

by James Glazebrook<\/span><\/h4>\n
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\"HEADS.<\/a><\/p>\n

Jizzworthy vinyl alert! So I’m currently “between turntables”, but when my kit is all set up again, this is going to be the first thing to grace it – the debut by Berlin-based post-90s alt metallers HEADS<\/strong>. Lead track “A Mural Is Worth A Thousand Words”<\/a>, has already squished\u00a0our skulls under its size 12 Doc Martens, and the rest of the disc\u00a0keeps the pressure up, with such grim-faced noise explorations as “Chewing Up Kittens”, “Skrew” and “Black River”.<\/p>\n

Recorded live by\u00a0Jonathon Nido, a former member of The Ocean<\/a>, and mastered by\u00a0Magnus Lindberg (Cult of Luna<\/a>), HEADS. <\/em>reaches deep into an abyss of post-hardcore and noise rock influences, and excavates something else entirely: dense, driving, stripped back, and utterly unique. And it’s available on sick black and white wax! Go to headsnoise.com<\/a> to pick up the album, and find out where you can see the German-Australian heavyweights live.<\/p>\n