{"id":2848,"date":"2021-04-14T06:44:41","date_gmt":"2021-04-14T06:44:41","guid":{"rendered":"https:\/\/uberlin.co.uk\/music-montag-tusk-spandau-ballet-and-enya-covers-uberlinuberlin\/"},"modified":"2021-04-14T06:44:41","modified_gmt":"2021-04-14T06:44:41","slug":"music-montag-tusk-spandau-ballet-and-enya-covers-uberlinuberlin","status":"publish","type":"post","link":"https:\/\/uberlin.co.uk\/music-montag-tusk-spandau-ballet-and-enya-covers-uberlinuberlin\/","title":{"rendered":"Music Montag: TUSK (Spandau Ballet and Enya covers) : uberlinuberlin"},"content":{"rendered":"
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Music Montag: TUSK (Spandau Ballet and Enya covers)<\/h3>\n

by James Glazebrook<\/span><\/h4>\n
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\"TUSK<\/p>\n

TUSK by Heinrich V. Schimmer<\/p>\n<\/div>\n

Bat. Shit. Crazy. (In the best possible way.) The biography on this singer\/dancer\/producer’s SoundCloud<\/a> namechecks such fine acts as Grimes, Tears for Fears and Vangelis, but really nails it when it lands on Kate Bush, “from whom <\/em>TUSK<\/strong> was first inspired to see music as a cycle of passionate reinvention”<\/em>. And the disparate influences don’t stop there…<\/p>\n

…there’s a cover of Spandau Ballet’s “Gold”, where synthwave meets SBTRKT meets autotune…<\/p>\n