überlin

Tag: Blogging

  • Geeking Out On Analogue Photography

    by

    Zoë Noble
    Category:

    Croatian flag

    Just picked up the prints from our summer holiday in Vis, an island a few hours from Split, Croatia. The reason it’s taken so long to get the photos is that I STUPIDLY left the film back in our apartment!? Yup, I’m a massive idiot. Thankfully my guardian angel/Airbnb host Ratko found the film and posted it to me – but it took two months to get here. I’d almost given up hope and then it arrived in the mail last week ????

    Usually I’d take my digital camera while travelling and I’d have all the photos on my laptop, backed up after each day – this was my first holiday ONLY shooting analogue. Why? Because, for a change, I decided to leave the bulky cameras and multiple lenses and just travel really light. When I’m not working, I want to have a complete break from carrying heavy equipment, changing lenses, charging batteries and the post-hols photo editing.

    The beauty of film cameras is that they simplify your decisions, leaving you to simply enjoy the moment of taking the photo. You really have to slow down when you shoot analogue, and you truly consider every photo. You remember that you have a limited number of shots and concentrate on really nailing that exposure. So many times I’ve composed an image with my analogue camera, only to decide it just wasn’t worth wasting a shot.

    This way of thinking really helps photographers. Taking hundreds of photos with a digital camera may be easier, but it doesn’t help you understand what makes a good photo. Anyone can blast out 1,000 shots and get one killer image. You know you’re a great photographer when EVERY shot is a killer image.

    Anyway, enough photo geekery… we had such an amazing time in Croatia and would recommend the island of Vis (thank you Ed and Sarah for the amazing tip!) and our beautiful villa in a heartbeat. We want to be there right now!

    All photos shot with Olympus OM-2, 35mm lens and Kodak Portra 400 film.

    Croatia sea

    Church and blue sky of Croatia

    Green seas

    James looking out to the sea

    Peeling paint

    Pink flowers

    Vis beach view

    Port with fishing boats in Vis

    Narrow buildings in Vis

    Fishing boats

    Sea view in Croatia

    Walkway in Vis old town

    Vis old town

    Fresh fish in Vis

    Sun setting in Vis

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  • Berlintercourse: The GIF Guide to Sex Party Etiquette

    by

    Guest Blogger
    Category:

    My first trip to a sex club was about five years ago. I had come to spend yet another weekend visiting a dear high school friend living in Berlin and, on a whim, we decided to go to KitKat. The bouncers let us in after first telling us to remove some of our clothes, and my friend happily obliged, keeping nothing but her panties on. I took off my dress and entered the club wearing just a jacket and my underwear.

    The rest of the evening is kind of a blur, but I vividly remember enjoying the fact that we were able to dance wearing close to nothing without any creeps following us around. Which brings us to the first – and maybe most important – lesson:

    Sex clubs are meant to be safe spaces, so if you visit one, please make sure you help it stay that way.

    Having been a guest at several sex parties now, some at pretty tame yet fun nights like GEGEN and some more adventurous ones where almost everyone ended up getting some, I have come to realise that there are a few things you should know before getting involved. To help out my fellow sexplorers, here is what I have learned so far:

    1. RESPECT THE RULES

    “Alles kann, nichts muss”, as the Germans say. What this means is that the fact you are attending a sex party does not necessarily mean that you’ll end up having wild group sex on the dancefloor. Only if you feel like it and only if the party allows it. While many people probably assume that sex clubs are places where everything is allowed, this couldn’t be further from the truth.

    During the sex party I attended a few months back, a significant portion of the evening was dedicated to reciting the event’s rules, and it was made very clear that whoever ignored them would be shown to the door in no time. At this particular party, voyeurism was not welcome – but this isn’t always the case, so make sure you know about the event’s specifics before you misbehave. You will usually find that information on the club’s website but don’t hesitate to reach out to the organisers via email if you have any doubts.

    2. SPEAK UP

    If you are attending a sex event, know that there is no place for politeness. What I mean is that if a situation is bothering you, you should not say so. I have been hesitant myself, but being straightforward is a must, so if you are afraid of making your move, ask someone to do the dirty work for you.

    Once in the dark rooms of Ficken 3000, I realised that someone was watching in a very creepy way that I did not feel comfortable with. I ended up asking a friend to tell him, and the lurker was gone within a couple of seconds. As with most things in life, problems are usually solved more quickly if you deal with them directly instead of allowing them to linger on.

    3. BE CONSIDERATE

    Every time I engaged in or witnessed threesomes or group sex, I remember being amazed at the level of consideration couples gave to each other. Much to my surprise, I found that couples that engage in this kind of activity seem to have more balanced and healthier relationships, at least from the outside. They’re the kind of people who will outright say when they are not comfortable with a situation instead of sulking or making a scene. And the other person will take the criticism just fine.

    What I learned is that, while you should obviously focus on enjoying yourself, you should always keep an eye on other people’s wellbeing. This is especially true if you decide to engage in sexual endeavours with your significant other: the experience will only be truly rewarding for you both if you make sure you are not being selfish or making your partner uncomfortable.

    4. DRESS APPROPRIATELY

    On a more shallow note, don’t forget that there is nothing worse than attending an event and feeling like your outfit isn’t quite right. In fact, dressing up is a great part of the fun.

    Find out whether there is a dress code beforehand, don’t keep all of your clothes on if nobody else is doing so, and don’t stare at people whose sartorial choices are more daring than yours.

    When in doubt, remember that this is Berlin and wear black. My go-to outfit is a black bra and black thong, but you could just wear nothing and make Germany proud.

    5. DON’T JUDGE

    Brace yourself for the fact that you will probably witness a few situations you never expected to. I have seen things that would normally qualify as crazy, such as grown men wearing diapers or a girl holding a knife ridiculously close to a guy’s penis and occasionally poking it.

    I did a double take because I was curious, but in the end remembered that everyone has their own dark side and that other people’s should be, at most, considered with a shrug. Try to remember that sex has a lot to do with people allowing themselves to be vulnerable and allowing others into their personal space.

    6. BE BOLD

    Embrace the fact that this is your chance to try out new things. Most people who attend sex parties on the reg are ready to be your guide if you need them to.

    Asking for advice will never be frowned upon and, just as with any regular party, people are usually open to taking new playmates under their wing. If you’re feeling unsure, just look at the way others are behaving and adjust – be emotionally intelligent and empathetic and people will welcome you with open arms.

    Don’t believe me? The day after the sex party I went to, I was invited to have dinner with some of the organisers, before heading to a BDSM play party in the evening. That was the night I tried suspension bondage for the very first time, and it was quite the experience. I was incredibly glad to have more seasoned BDSMers around, as they took care of me and shared their precious advice along the way.

    7. DON’T GET TOO WASTED

    While it’s totally fine to be buzzed at “entry level” parties where most sexual acts happen in dark rooms or other dedicated areas, you don’t want to make a fool of yourself while other people are trying to get busy.

    I did get pretty, ahem, tipsy during the first sex party I attended, and even though I mostly just ended up dancing and chatting everyone up, I regretted being that person when I woke up the next day. Oh well, it wasn’t my idea to bring all that vodka!

    8. USE CONDOMS

    Bring condoms with you (even if you are a girl), but also know that you will always be able to get some for free at the bar – this also applies to Berghain, by the way.

    While it can be cute to wake up with a few misplaced love bites the next day because they make for good stories, you don’t want to spend it running from the pharmacy to the STD clinic. Also, nothing says “I don’t respect you” like not caring about this kind of thing. Try to remember what queen Aretha was demanding back in the sixties.

    In short, have fun, be open-minded, pay attention to what is happening around you, and you will have a blast! I will soon dedicate another column to my favourite sex parties to help you choose the one on which to try out all these tips – watch this space 🙂

    GIFs sourced by @p_a_p_i_

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  • On blogging: The great "viral content" swindle

    by

    James Glazebrook
    Category:

    Günther Krabbenhöft street style original photo

    You may have seen this dashing fellow on the Internet recently. You might have even seen these photos. If you did, the site you were looking at stole Zoë’s photos, published them without her consent, and used them to generate traffic and, most likely, revenue.  

    It all started when So Bad So Good shared some photos to their Facebook page, of the alleged 104-year-old, posing on the platform for the U1 at Kotti. It isn’t clear where they got those images from, as they didn’t include any kind of credit. But we do know that the man pictured, Günther Krabbenhöft – represented by “agents for unique characters”, We Are Unlike You – isn’t 104. More realistic estimates put him at around 70.

    Spotting an opportunity, I commented on the post with a link to our own blog post, a streetstyle shot of Günther walking through Graefekiez. Sure enough, that brought us a lot of clicks – about 40% more traffic than in the previous month – but it also brought the attention of websites that pride themselves on finding and sharing viral content. They refer to it as “sharing”, but we call it what it is: stealing.

    The biggest, and probably the first, of those was Bored Panda (no, we aren’t going to link to them!). We found them via a trackback, a notification that WordPress sends us whenever someone links to one of our posts. Clicking through, we were shocked to see Zoë’s photos being used in a post that (apparently) now has over 180,000 views, 50,000 Facebook Likes, and is surrounded by ads that make money for the site’s owners. Alarmingly, there’s an “Add post” button that allows anyone to create their own article, with terms of use that place the responsibility for copyright compliance on the “author”.

    The offending article on Bored Panda

    Bored Panda set the tone for all the other articles we were able to find through trackbacks and Google reverse image search (which we learned about from @eljojo – thanks!) Have a look here – each of those thumbnails leads to at least one article that has used that image in those dimensions. That’s just one of our three images of Günther, and it doesn’t included photos edited beyond recognition by Google’s bots.

    Most of the articles we found included the 104, many with that weird get-out that “the Internet” is getting its facts wrong, and all featured images alongside ours from sources who presumably weren’t contacted for permission either. A lot of them completely ripped off the “original” Bored Panda article. But, as it’s not their content anyway, why should they care?

    When we contacted Bored Panda, we received an email from the article’s author saying that they’d decided to remove the images. The fact that they responded so quickly, to an email sent via a form that actually has a field for “removal request”, leads us to believe that they subscribe to the school of thought that one should “ask for forgiveness, not permission”.

    Günther Krabbenhöft close up

    Bored Panda were only closing the barn door after the horse had bolted. By the time our images were taken down from that site, they were all over the “viral” Internet. It takes just one website to turn stolen content into fair game, and other sites are happy to rip off photos, as long as they include the name of the source, and a link to it. Those second-tier sites are legion, and rarely have contact details through which to demand a removal.

    A couple of bigger websites approached us for our permission (denied), and, when pushed, a national British newspaper offered an insubstantial amount of money. Given the circumstances, we were almost flattered that people had thought to ask us, but Zoë can’t pay her rent with “credits”, and we can’t build an audience on the clicks of curious people wanting to ogle an apparently ancient “hipster”. Our uptick in traffic came primarily from my comment on So Bad So Good’s Facebook post, and those people won’t be back. If we were playing the same “viral” game as these websites, those clicks would translate into money. But we aren’t – we’re focussed on creating original content.

    And that’s the most depressing part of all of this: watching the Internet cannibalise itself. As soon as one online entity had a “hit” with the Günther photos, everyone else had to have them. Major newspapers and best-selling magazines aren’t above this – everyone wants the hot new thing to post, in the hopes that their improved Google rank will inch their audience, and profits, up ever so slightly. This “viral” layer of the web relies on content creators like us to thrive, but we won’t be able to create the content it needs if we can’t make a living. It’s pretty disgusting to see this up close.

    So where does that put us? We’ve been advised that we are in a position to demand our content’s removal from all these websites, and to even invoice them for the revenue they likely generated from it. But how do you contact a site that doesn’t feature so much as an email address, and what are your chances of getting a response, let alone compensation? Right now, we’re focused on INTERVIEW.de, who aren’t responsive despite me taking to Twitter and Facebook to complain (sound familiar?) We think they’re taking Andy Warhol’s art of appropriation a little too far…

    Let’s be clear: we love it when you share our content. When you tweet one of our photos and @-mention us, you could bring us followers; when you link to our website, we may gain readers. Sharing the photo without a credit isn’t exactly in the spirit of Twitter, but at least you wouldn’t be making money from our creative work. To all our genuine fans, thank you for sharing!

    And to all the people out there creating unique content, keep up the good work. Take solace in the fact that this is one of the few cases of plagiarism we’ve (knowingly) experienced, and it can be traced back to us “putting ourselves out there”. Let us know if you ever encounter anything like this, and we’ll be happy to share our learnings and give you some support. Together, we’ll kick some web ass!

    Günther's kick-ass shoes

    EDIT: INTERVIEW.de have since responded to my Facebook post and taken down the photos. However, I still take exception to them using the photos in the first place. Here’s how that conversation is developing…

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  • On blogging: Why we turned off comments

    by

    James Glazebrook
    Category:

    The more observant of you will have noticed that we’ve turned off comments here on überlin.

    Maybe you found you couldn’t enter a competition, because I’d forgotten to turn comments back on in those rare cases where we still allow them. Perhaps you were particularly incensed by the latest thing this expat/hipster/douchebag/gentrifier/all-of-the-above had written. Or you might just have been wanting to tell us how much you love us, but couldn’t. Well, here’s why.

    Firstly, and most obviously, internet comments are infamously terrible. Sure, most of our commenters have been very supportive and positive, but a minority have split hairs, gone on inexplicable tangents, ranted, singled us out to blame for the (inevitable) changes happening to Berlin, and one even told us in no uncertain terms: go home.

    The main reason for this shittiness is that people aren’t accountable when they’re anonymous. If no one knows who you are, you can be as hateful, reactionary, incoherent and misinformed as you like.

    Of course, we ask commenters to provide their names and email addresses, but we have no way of verifying this. Even if we used something like Facebook login to verify people’s identities, the Zuckerberg dodgers could use their invented FB names to shroud themselves in semi-secrecy. Besides, even if we could achieve total transparency and accountability with comments, we’re not sure that we should be insisting that people, especially Germans, share their personal data in this way.

    So, given a choice between anonymous comments and no comments, we went with the latter.

    Another reason for switching off comments is that we’re no longer focused on producing content that provokes comment. Depending on your perspective, we used to be great at/notorious for hilarious/reductive observations/stereotypes about Germans and Germany, and at times, we’ve been guilty of full-on trolling. These days, however, we’re more interested in showing off Zoë’s beautiful photos of places, people and their dogs, and getting to the heart of what inspires the creatives who call Berlin their home.

    This is great content, and we think it’s very shareable, but it doesn’t require your input. If you like something, great – feel free to share it with others on Twitter, Facebook, email or whatever. If you don’t like it, that’s fine too – just look away.

    And that brings us to the final reason we turned off comments. We received too many comments like “this comedy piece on going to a German supermarket doesn’t discuss the impact of LIDL’s pricing policies overseas”, which could all be translated as: “I’m annoyed that this article isn’t about something else that I’d rather be reading”. I found myself arguing with these people, then trashing their comments (as they were about an entirely different subject than the article, they weren’t relevant), and then deciding: we don’t need this.

    As content producers, we accept the fact that we’re doing all this for free. We run überlin for love, not money, and the fact that our content is kostenlos allows it to reach far more people than it would have in the days before a free, open, democratic(ish) Internet. The problem with this is that people don’t always value what they get for free. And if it isn’t exactly what they wanted to see, they’ll be sure to tell you. I wonder if the editors from Lawnmower Monthly receive letters saying “Dear Sir/Madam, I bought your magazine and was disappointed to find absolutely no photos of monkeys riding motorcycles…”?

    The point is: everyone absolutely has the right to their opinion. They just don’t have the right to make people listen to it. We spent five years building this site, filling it with content and growing its readership. If you don’t like something on the site, by all means tell the Twitter followers you earned through your own hard work – hell, tell us. But you don’t get to take the megaphone out of our hands and use it to broadcast your own opinions, while hiding behind the mask of anonymity.

    Hence (with a few exceptions): no more comments here on überlin. In the month or so that we’ve been without comments, we haven’t missed them at all. We still get plenty of feedback via social media, and we’re always thankful for that. If you have any comments about this post, or anything else we’re doing, hit us up on Facebook  and Twitter. The (on-site) comments are dead; long live the (off-site) comments!

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